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Photoshop Actions | Paint the Moon Studio Spotlight {Photography Set Up}

Photoshop Actions Photographers Retouching Workflow Vintage Black and White Enhance Eyes

So, here it is, the tiny little place where my kids and my clients squeeze into for studio images. It is humble, it is messy and unorganized and it is a very simple set up. One of the most simple set ups you can have while shooting professionally in a studio setting. I’ve had many requests over the past couple years for more information and pull back shots, and have fielded a ton of questions about what gear I use and how I do things. Since I’d like to answer everyone’s requests for more information, I’m going to break this little feature into a series of posts, this being the first. Today I will cover just the basics for my set up and show you the mess that lurks in the corners.

Please note: I *adore* glorious, natural light and always, always prefer natural to a studio setting. And, in fact, I swore I would never shoot with any kind of lights for years … scoffing at anything that wasn’t beautiful, natural light. However, I do live in the Pacific NW and we have long, rainy and DARK winters which make photography in the winter months pretty near impossible most days. I’m all for roughing it and getting out in the cold and wind to take photos – but when it’s also pouring rain in addition to being dark and freezing, it makes it not just miserable (especially for little ones and babies), but darn near impossible. So, the studio was born out of necessity and an intense longing for some photo opportunities during those dark winter days. I haven’t actually set foot in the studio – which has become a dumping ground for props over the summer – since last spring when we saw our first few days of sunshine and warmth. However, the looming darkness and rain are setting in here already, so soon I’ll be dusting things off in preparation for being studio bound once again.

Prime Location
The first thing you may notice is this is smack dab in the middle of our home. I like to think of it as an ever present reminder of how much my husband loves me ? we no longer have a living room, we have a photo studio. Add that to the fact that I also convinced him many years ago to ditch our dining room in favor of a girl’s playroom and you are looking at one very patient and supportive guy.

Space, What Space?
You may think you need a huge studio space and lots of fancy gear, but in all actuality, what is important is that you have the “right” gear and setup. Ideally, this space should be bigger. Width wise, I’m doing fine, but I would love to have more breathing room when stepping back to take a photo. Now that I’m using a full frame camera (Nikon D700 … “What’s In My Bag” feature coming soon), it’s not so bad. However, when I was shooting with a cropped sensor (Nikon D300), it was absolutely too tight in there. In the studio is the only place I ever touch a zoom lens … I love my primes, but because I can’t shoot wide open to get that lovely bokeh that is my trademark look while using studio lights (more on that below) and the Nikon 24-70mm 2.8 is a tack sharp lens, I end up primarily using the 24-70 for studio work (with a cropped sensor you would need to zoom out pretty far still). The width of the room (from my background wall to the opposite wall with canvases) is 13 feet. Since you want your subject pulled off the background at least 6 to 8 feet, this makes shooting in there very, very tight. Most of the time I am shooting with subjects closer than they should be to the background and watching carefully for undesirable shadows that can be the result of a subject too close to your background.

Settings
My prime lenses are my babies … the 85mm 1.4G is rarely off my camera, except in the studio. Because I shoot with strobes (more on what I use below), I can’t shoot with a shallow depth of field like I usually do with my primes. My shutter sync speed is about 1/250 second. Any faster shutter speed and I’ll get a curtain shadow. In order to shoot at the widest aperture possible, I have my light’s power turned down ALL the way and my shutter speed as high as it can go (the 1/250 second I just mentioned). This usually puts my settings around 1/250 sec, ISO 200, f4.5. With my D700 in the studio I will also use the 35mm 1.4G, sometimes my 85mm 1.4G, and for macro work like shots of precious baby details, I’ll use my 105mm f2.8G Macro lens (I use only Nikon lenses).

Here is a little diagram showing a rough approximation of my usual set up:

Photo Studio Set Up Lighting Photoshop Actions

The Gear

Alien Bee 800 Flash Unit ? The workhorse of the studio gear (and it’s pink!). I use the 13 foot air cushioned stand for mine. Positioned camera left. ETA: Shortly after writing this I set up a second light as a fill light camera right (an Alien Bee 400 in a slightly smaller soft box). Watch carefully to make sure a fill light is kept at a lower power than your main light and have it angled in a way that you are still getting some good dimensional shadows so your lighting doesn’t look flat. A good place would be opposite your main light and slightly behind the subject, while leaving the reflector in the same spot).

Giant softbox for my AB800 – (30″ x 60″) with speedring attached. Produces a lovely, natural soft light.

CyberSync Receiver (connects to your Alien Bee strobe) and Trigger (mounts on your camera’s hot shoe) – These allow your camera to talk to your Alien Bee and trigger the flash when you shoot. πŸ™‚

Impact 74″ White Reflector (positioned camera right)
I see the one I use is out of stock, but the LiteDisc Oval Reflector would also work well. I use a cheap light stand that I absolutely hate and have to weight down with a pillow to keep it from toppling over. I would recommend something like this Manfrotto boom stand instead.

Savage Multiple Roll Background Stand System – I love being able to keep multiple rolls of paper or fabrics up at one time.

Sekonic L-358 Flash Master Meter – for metering light and getting a perfect balance and exposure. I also take test shots and check my histogram (using a PhotoVision Digital Target).

Savage Seamless Background Papers – An integral part of my studio puzzle. I love my Savage papers. I have a rainbow of colors on hand, if it gets dirty or ripped I can just roll more out, they aren’t a big investment so if I want some fun, trendy colors I can do that without worry, and I like the nice, clean look they give. I also love making them my own with some added texture since they are a perfect background for adding pretty textures to, giving it a look that fits with my style. I use pony clamps to hold the rolls to my baseboard and on the actual roll to keep it from rolling out too far (and those clamps are endlessly useful on all types of sessions). I have mostly the 107″ rolls. The 53″ rolls are okay if you are working with a newborn or single subject … or a very close pair of subjects that don’t mind squishing together and staying still. However, many of my little clients love to be wiggly and silly, and I totally encourage that for the type of work I do. So, I like the freedom of the 107″ width.

Flooring and Baseboard Trim – I purchased a 10 foot strip of white baseboard from my local Lowes and just roll my background paper down to meet the baseboard, clamping it on both sides with the pony clamps. My flooring is also from Lowes. It’s a special order, but fairly ordinary, laminate faux wood. We purchased a giant piece of plywood and laid the click together faux wood flooring on top of the plywood for stability. I choose this one because I liked the dark, rustic look of it. I just clicked it together on top of the plywood … I didn’t want it to be permanently attached in case I wanted to change it out or move everything in the future. The dimensions of the flooring are 8.5 feet wide by 7 feet deep (not leaving a lot of room for me when pulling my subject off the backdrop at least 5 or 6 feet … many experts recommend 6 or 7 feet).

Manfrotto 222 Joystick Head and Manfrotto 058B Aluminum Studio Pro Tripod – I absolutely adore this tripod … it’s very intuitive and superbly made, but I find myself rarely using a tripod in the studio because I have to be quick with the kiddos. I do love using it on outdoor shoots though.

So, I will leave you with the pull back shots now and you can make yourself feel better about your own messy studio when you see what a disorganized jumble mine is. Note that my light position is usually different, like the diagram, but we don’t want everything to be out in the middle of the room so I only pull them out when shooting. For the second in this series of Studio Spotlight posts I will dish out all the details on my props and answer some reader’s questions that have been sent to me. If you have a question you’d like to see possibly featured in a future installment of the studio series, you can send it to [email protected]. And if you found any of this information helpful, I would greatly appreciate it if you shared it with your photographer friends.

Photoshop Actions Phototography Studio Set Up How To

PSE Actions Photography Studio Set Up Tutorial

PSE Actions Photography Studio Set Up Pull Back

The distortion is from the wide angle lens, my canvases aren’t actually all crooked and wonky … a mish mash, for sure, but they are at least straight. πŸ™‚

Photoshop Actions Photo Studio Lighting Pull Back Canvases

Photoshop Actions Studio Set Up Pull Back Soft Box

Photoshop Actions Photo Studio Backgrounds Flooring

Photoshop Actions Photo Studio Props

PSE Actions Photo Studio Pull Back Tutorial




 

And one of my little Junebug after I was finished taking pictures of the mess … proof that you don’t need a super fabulous studio to take great shots:

PSE Actions Photo Studio Set Up Free Tutorial

And one of my favorites of my little girl in the studio. This is another reason why I love having the studio in my home – spur of the moment photos with great lighting can be taken any time. Addie was showing me her “Big Sister Dance” here and I asked her to show me on the “dance floor” so I could capture the moment (we had just found out I was pregnant and she was VERY excited). It was late in the evening as well as freezing cold and raining outside to boot – so this would have never been captured without my little studio. πŸ™‚

PSE Actions Photo Studio Pull Back Tutorial

PSE Actions Photo Studio Pull Back Tutorial Retouching Actions

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96 thoughts on “Photoshop Actions | Paint the Moon Studio Spotlight {Photography Set Up}

  1. Annie!!!! Firstly, I have to say… YOU ARE AMAZING!!! I find absolutely EVERYTHING you share inspiring, fabulous, HELPFUL (very, very, very HELPFUL) and truly AMAZING!! Love your photography, love your tips, and LOVE your Actions!!
    Thankyou SO very much for sharing your AMAZINGNESS!! (ooh new word!! ;-))

    xx Sarah

    • Hi, Sarah!! You are so kind, thank you so much for such lovely complements! I am just delighted you are finding the tutorials and tips helpful and thrilled you love your actions! I think YOU are pretty amazing and thank you for taking the time to post such wonderful feedback! πŸ˜€

  2. Hi!!! I love love love this! Thank you for this info!!! The pictures are so helpful, too. I am about to buy equipment for my first studio (ok, my dining room!). I have a Nikon SB-700 Speedlight… would this work in place of the Alien B800, even in the huge softbox? I am not sure how much I can spend, but I have to purchase some equipment, I am doing a mini-shoot marathon in November.

  3. Thank you so much for sharing this!! Your brilliant use of space just might be the last push I need to convert our garage into a studio space. And the fact the your hubby sacrificed your actual living room will def factor into my case πŸ˜‰ So perfect!! <3

  4. Unbelievable. I have always wondered how you have so many colors for your studio and why the walls were so perfect considering you have children. (mine colors on the walls occasionally) Thank God for mr clean magic eraser. I really thought you had several rooms with bright pink and blue painted walls. I think this is amazing and am considering turning our small apartment into a studio where our dining room table is. (it is too big and I want it gone) Thank you so muchfor sharing. Christina

  5. Thank you for this!! It’s exactly what I needed to see.
    I want to take studio pictures in my dining room but wasn’t sure if I’d have the space. Your space looks like the same size as mine, so I’m good there!
    I have two questions:
    1. Is it essential to use the large softbox because it will extend closer to the floor/the baby? If you used a smaller one, would it have to be angled downward, thus creating shadows?
    2. What length lens do you use in that size room?
    Thanks, again!!!
    Jennifer

  6. Woops!
    Just read your description. Got your camera info now. πŸ™‚
    Jennifer

  7. Thanks for this post!! It was extremely helpful. In the last photo of your daughter, what is the name of the savage paper that you used? I love it!!

  8. Thank you so much! You have been so helpful! Love you home studio, your daughter is adorable, gorgeous eyes! I have room in my house that i used as my home natural light studio but with winter and getting so dark outside i decided to set up one light studio. I am thinking about getting octagon softbox, what size do you think would work better in your situation, my room is very similar to yours? Thank you!!!

  9. Excelent post!!! Thank you so much for the tips you give everyday! Your photos are amazing:)

  10. Fantastic! Thank you soo much for sharing all your little secrets.. I was just you to put up some shots of your studio when I saw this… πŸ˜‰

  11. Lauren Medean says:

    Oh my word, EXTREMELY helpful. Annie, you’re just wonderful!
    Can’t wait to see if I can make my own little set up like this one!
    I can’t tell you how much we ALL appreciate the fact that you’re willing to share with us all of your little secrets and tips. You’re amazing.

    -Lauren

  12. You are amazing, love your pictures and the actions as well…
    Thank you for the “behind the scenes” view πŸ™‚
    it’s very inspiring!!

  13. Hi Annie! Thanks again for such a great view into your studio. I just read your post about the upcoming part two studio recommendations and you mentioned those of us who shoot with Canon gear. Other than you using your D700 and 24-70mm, does your current studio setup change if I’m a Canon user? I was planning on start building my studio “kit” but am a bit apprehensive since I shoot with a Canon.

  14. Arianna Parman says:

    This has been SOOOO helpful!!! I am a “photographer-in-the-making” (as I like to call myself) and I have been totally clueless on how to setup a studio AND what would be good to use. I am in school for photography and won’t be taking lighting classes for a little while, but I want to go ahead and try to start up. So this has been great! Thanks so much!

  15. Jane Sullivan says:

    Thank you so much for sharing – as a beginner who would love a little studio, this is wonderful. So many photographers won’t share (I know, I’ve asked) but you are truly wonderful and I really want thank you. I have my first 50mm 1.4 (for canon) and am ready to hit the road shooting! I am in Australia so we don’t have the long dark winters you do but I’d still love a simple little studio (though outside is so much better of course) I am collecting my props, fairy wings, tutus, beads and hats and am SO excited now with my lens to see what I can do. Its your help that has really inspired me and I love your work. Again, thank you πŸ™‚ Jane

  16. Annie, you are amazing to take the time to shoot and share all of this information. It is so helpful! Thank you! Thank you for sharing your gifts with the rest of us! πŸ™‚

  17. annie! ummm u ROCK! love the piles of stuff, the baby love, and u’re energy! awesome post! where can i find part 2 of this…must read!

  18. If I had a dollar for every minute I spend on your site I’d be rolling in cash!!!! Question, your decision to use strobes vs continuous light? Was thinking of making a switch to continuous what’s your advice?

  19. Hi Annie, Thank you for sharing! What an amazing wealth of knowledge you share with us! I just ordered a few items from your studio set up and cant wait for them to come, thanks so much again πŸ™‚

  20. Wow, Annie. So much great information, I don’t even know what part to pick first as far as thanking you for. I tend to ramble on, so I will try to keep it short. I am a mom of two little ones and I love photography. I want to sart buying better equipment to capture the kids with. On your “whats in my bag” section you mention a part two for Canon users. I myself use canon. Did you ever finish section two and if so how can I find it. Again, thank you so much. Your work totally rocks and your kids are adorable!

  21. nice post..thx

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